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Virtual Production

Virtual production lets film productions capture impossible worlds with total control, faster, smarter, and without leaving the studio.

Richie Kendall
Cinematographer & Virtual Production Specialist

 

Richie has worked across some of the world’s leading virtual production stages, from Bollywood and Shanghai to Pinewood Studios Malaysia, Melbourne, and Sydney. Known for combining creative vision with deep technical expertise, in filming with real-time rendering, camera tracking and making the virtual world blend seamlessly with the real. 

 

Richie was among the first cinematographers to integrate AI-generated digital background assets into virtual productions and continues to pioneer advanced 3D spatial capture techniques merging photogrammetry, light-field imaging, and volumetric reconstruction. As a spatial capture specialist, he’s captured content and developed Gaussian Splat 3DGS driven digital asset pipelines for Hollywood productions currently in production. 

 

Blending art, technology, and innovation, Richie continues to push the boundaries of cinematic storytelling in virtual production.

AUDI Q4 e-Tron
Real-time VP with Unreal Engine - Nant Studios

PROJECT: AUDI Q4 e-Tron
Australia's first car commercial, produced entirely on a Virtual Production LED stage with real-time 3D background content, optically camera tracked in every shot!. we're employing state-of-the-art technology, featuring expansive LED screens to create a dynamic backdrop and real-time dynamic 3D lighting. As we maneuver the camera, the on-screen 3D environment intelligently adapts its scale and orientation to flawlessly align with the camera’s perspective.

This seamless integration is powered by the Unreal Engine, a premier tool for real-time 3D creation, ensuring that every frame captured by our digital cinema camera is visually stunning and perfectly synchronized.

To guarantee the camera's movements are precisely matched with the virtual environment, we utilize advanced optical tracking within a meticulously defined space, achieving a realistic dimensional parallax effect. Furthermore, we're pioneering innovative digital lighting strategies inside this space, specifically designed to highlight the Audi's features, showcasing its design and craftsmanship under the most flattering light.

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Suzuki Dzire


This TVC had additional technical challenges for film production, due to the hero talent’s inability to travel to the location. As a result, we divided scenes sequences between live action on location and  studio virtual production, so that shots seamlessly matched. 

- Light Craft Studios Mumbai 

LOCATION

STUDIO VP

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Isuzu MU-X
 

VP with custom 2D backgrounds, Tracking plates and 360 HDR images.

seamlessly integrated to match location shots- Nant Studios

VANISH TURBO


VP Produced with 3D Unreal Engine and RED SPY camera tracking.
- Mushang Studios SYDNEY

Bridgestone

 
Hybrid Virtual production, using Live Action on stage, 2D Led Projection, traditional 3D & AI generated 2D content on LED projection. Post finished with 3D VFX/COMP. All shots of car done in studio with in-camera reflection effects including transition visuals  - OMG Studios
 Malaysia 

Honda SUV Range


VP Produced with 3D Unreal Engine and Mocap camera tracking.
Shot at
- Nant Studios

TOYOTA CH-R


2D pre-rendered background.
Virtual Production LED Volume shoot for tease reveal of the Toyota CH-R. 
- Nant Studios

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